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Van Rossum beschouwt Kickstarter vooral als een soort filter voor een veelvoud aan crowdfundingcampagnes die daar dagelijks verschijnen. Indiegogo ziet het volgens hem als taak om zoveel mogelijk mensen te betrekken in een campagne en actief mee te denken. Maar je krijgt als ondernemer minder informatie over de backer. Uiteindelijk viel de keuze voor Dobots toch op Kickstarter. Vooral omdat het aantal projecten dat helemaal wordt afgerond, dus tot en met het daadwerkelijk leveren van het product, volgens Van Rossum hoger ligt dan bij Indiegogo.

Dat kan te maken met hoeveel nieuwe projecten ze binnen willen halen.

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Of ze slagen maakt dan misschien minder uit. Wat wel een belangrijke rol had kunnen spelen is de beschikbaarheid van iDeal, maar die betaalmethode behoort noch op Kickstarter noch op Indiegogo tot de mogelijkheden.

En dat is jammer, zegt Van Rossum, want er zijn in Nederland nog behoorlijk wat mensen die geen creditcard hebben. Hoe dan ook, ook bij Kickstarter is het runnen van een crowdfundingcampagne geen eenvoudig klusje. Van Rossum: "Van het kiezen van het juist moment om te lanceren tot het goed uitkienen van wat mensen leuk vinden om te horen, versus wanneer het teveel wordt.

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De uiteindelijke lanceerdatum van de Crownstone was gezet op Prinsjesdag, een mooie referentie naar het Nederlandse karakter van de campagne. Nu nog de Amerikaanse markt! Made with in Amsterdam. Om onze site goed te laten functioneren, te verbeteren en u de beste ervaring te geven, gebruiken we cookies! Deze ondernemer ontdekte het grote verschil tussen Kickstarter en Indiegogo Crowdfunding.

Facebook LinkedIn Twitter Forward. It symbolises a small space in which one jots down quick, extemporary notes. In his column, Eco either scrutinised current events or used them as starting points for digression, humorous anecdote, and wordplay.


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The last book not read, on the intuition that has crossed our minds on the highway while braking in order to not end up in the back of a truck, on being and nothingness, on the famous steps of Fred Astaire. Internationally, Eco is known for his fiction, and especially the blockbuster crime novel Il nome della rosa , translated into English by William Weaver in as The Name of the Rose , and made into a film by Jean-Jacques Annaud in , featuring Sean Connery in the leading role of Brother William of Baskerville.

Worldwide intellectuals and academics also recognise him as an eminent scholar, particularly in the fields of medieval aesthetics, literary theory, and semiotics. But the way he zoomed into and commented on Italian culture meant that Eco was a key figure well beyond literature and philosophy. He was the first academic to give custom clearance to mass and popular culture, both with his studies and by contributing consciously to its production. Already in the s, for example, while studying medieval aesthetics, he worked at the state broadcaster, RAI , as one of the young intellectuals appointed to modernise TV and radio programmes.

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He mixed highbrow and popular culture without any sense of guilt, much to the chagrin of his academic peers. His omnivorous curiosity is particularly evident in his short pieces for the press, marked by a unique penchant for paradox and irony: here, Eco the philosopher, the public intellectual, and the storyteller converge.

Since social commentaries and irony are based on topicality, in order to enjoy them fully one needs to have some knowledge of Italian internal affairs. He comments on the role of internet in the evolution of mass media and communication, on racism and integralisms, religion and philosophy.

Structuring feeling: Web 2.0, online ranking and rating, and the digital ‘reputation’ economy

Right up to his final days, Eco never renounced the intellectual role of attempting to understand the changing social and cultural phenomena, guided by human curiosity and rationality, and always tempered with a good sense of humour. Low pay, earnings mobility and policy — Manchester, Lancashire.

Edition: Available editions United Kingdom.



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