Joe Henderson Improvised Saxophone Solos

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Start moving away from practicing all your tonal material in symmetrical patterns of eighth-note, sixteenth-note and triplet patterns. Aim for three things: Polyrhythms e. Becoming masterful at rhythmic displacemen t is a key element in all this.


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Take any melodic idea you have in mind and practice starting it from various places in the measure e. Gaining this kind of rhythmic control and imagination will consistently help you find new ways to move the sounds. And of course, practice in odd metered time signatures. Every day. Turn everything you practice into melody- Rather than playing mindless scale patterns from the bottom of your range to the top, create patterns and ideas that sound melodic to you out of these scales or chords, etc.

Joe Henderson Improvised Saxophone Solos

Make the organization and movement of the notes be always interesting and pleasing to you aesthetically. Work toward using your musical materials in ways that connect you to your creative, expressive self. Develop your technique to become the servant of that expression. There are always new ways to organize this material. A great way to explore familiar tonalities in unfamiliar ways is to extract and regroup.

Thought, curiousity and exploration are all you need to find seemingly limitless new tonal ideas. You can always go back to that feel anytime you want. But getting stuck into one time feel sort of locks your brain into thinking one way about organizing and moving the sounds. Same with articulation.

Practice improvising with many different specific articulation patterns. Like Stanley Cowell , Joe Henderson is a fantastic musician who is somewhat overshadowed by his peers. The giants of saxophone — Coltrane, Rollins, Shorter — are rightly considered masters of their instrument, but Henderson has led or been involved in an amazing number of classic albums over the course of his career.

Holy cow. Just after , after playing through the head, Henderson takes a sax solo. At about , Henderson hands over the reins to Tyner for a piano solo. This section continues until about when the head returns. Carter gets into a really nice groove and really plays with this, stretching out and compressing the time a little bit. At around , Henderson returns and, as on Inner Urge , they leave some openings for the drummer here at the end of the tune. Foster takes some fine drum breaks, then the head returns around The drums move to half-time for parts of this, giving it an interesting push-pull feel.

Inner Urge by Joe Henderson - Soprano Sax Solo by Quamon Fowler

Rosnes spent a number of years playing with Henderson, and was kind enough to send the audio from this unfortunately difficult-to-find album along with a photo of her with Joe Henderson in up at the top of this column. This version starts out with a great opening from Washington and Nash, letting you know that something special is coming. Rosnes starts a nice, relaxed solo, building from a few notes into a great improvised composition. At about or so, the tune opens up to a guitar solo from Moreno. No Jacket. Kaplan, Lawrence. Published by Zolexa Publishing About this Item: Zolexa Publishing, Great condition for a used book!

Minimal wear. Seller Inventory GRP Seller Inventory BD Never used!. Seller Inventory P Great condition with minimal wear, aging, or shelf wear. Condition: Like New. Almost new condition.

Improvised Saxophone Solos: Joe Henderson

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