That Achilles heel for so many comics artists — the human figure — is skillfully and suggestively rendered here. Layouts are lively and varied: some arrangements clutter multiple panels together on a single page, while others stretch minimal illustrations across two-page spreads. Later pages forego panels altogether in an array of inventive and eye-engaging layouts. Significant passages are told solely through imagery, with no dialogue or captions whatever.
All of this visual variety lends much to the story, which tends toward a certain breathlessness of tone.
As mentioned, the structure is far from straightforward, and the constant complications might put some readers off. There is an overriding sense of never really knowing for sure what happened, or is happening; for the most part, though, this is effective rather than unsatisfying. More problematic for some horror fans is the fact that the story isn't, frankly, that horrifying. There is a sense of unease, and dread, to be sure. But the actual horror elements are muted, at least in comparison to how the genre has evolved over the past 80 years.
There are moments, to be sure, when various disembodied heads and multi-tentacled aliens threaten to bring the whole affair low, reducing it to the level of Futurama -esque farce. Such moments are rare, however, and both Lovecraft and Culbard can claim equal credit for that.
Eight books that will scare you senseless
This is a handsomely produced softcover edition of one of the stronger stories in the HP Lovecraft canon, and well worth a look for fans of horror stories, or of contemporary comics, or both. His walks were always adventures in antiquity, during which he managed to recapture from the myriad relics of a glamorous old city a vivid and connected picture of the centuries before.
His home was a great Georgian mansion atop the well-nigh precipitous hill that rises just east of the river; and from the rear windows of its rambling wings he could look dizzily out over all the clustered spires, domes, roofs, and skyscraper summits of the lower town to the purple hills of the countryside beyond. Here he was born, and from the lovely classic porch of the double-bayed brick facade his nurse had first wheeled him in his carriage; past the little white farmhouse of two hundred years before that the town had long ago overtaken, and on toward the stately colleges along the shady, sumptuous street, whose old square brick mansions and smaller wooden houses with narrow, heavy-columned Doric porches dreamed solid and exclusive amidst their generous yards and gardens.
He had been wheeled, too, along sleepy Congdon Street, one tier lower down on the steep hill, and with all its eastern homes on high terraces. The small wooden houses averaged a greater age here, for it was up this hill that the growing town had climbed; and in these rides he had imbibed something of the color of a quaint colonial village. The nurse used to stop and sit on the benches of Prospect Terrace to chat with policemen; and one of the child's first memories was of the great westward sea of hazy roofs and domes and steeples and far hills which he saw one winter afternoon from that great railed embankment, and violet and mystic against a fevered, apocalyptic sunset of reds and golds and purples and curious greens.
The vast marble dome of the State House stood out in massive silhouette, its crowning statue haloed fantastically by a break in one of the tinted stratus clouds that barred the flaming sky. When he was larger his famous walks began; first with his impatiently dragged nurse, and then alone in dreamy meditation.
Farther and farther down that almost perpendicular hill he would venture, each time reaching older and quainter levels of the ancient city. He would hesitate gingerly down vertical Jenckes Street with its bank walls and colonial gables to the shady Benefit Street corner, where before him was a wooden antique with an Ionic-pilastered pair of doorways, and beside him a prehistoric gambrel-roofer with a bit of primal farmyard remaining, and the great Judge Durfee house with its fallen vestiges of Georgian grandeur.
It was getting to be a slum here; but the titan elms cast a restoring shadow over the place, and the boy used to stroll south past the long lines of the pre-Revolutionary homes with their great central chimneys and classic portals. On the eastern side they were set high over basements with railed double flights of stone steps, and the young Charles could picture them as they were when the street was new, and red heels and periwigs set off the painted pediments whose signs of wear were now becoming so visible.
Westward the hill dropped almost as steeply as above, down to the old "Town Street" that the founders had laid out at the river's edge in Here ran innumerable little lanes with leaning, huddled houses of immense antiquity; and fascinated though he was, it was long before he dared to thread their archaic verticality for fear they would turn out a dream or a gateway to unknown terrors.
He found it much less formidable to continue along Benefit Street past the iron fence of St. John's hidden churchyard and the rear of the Colony House and the mouldering bulk of the Golden Ball Inn where Washington stopped. At Meeting Street—the successive Gaol Lane and King Street of other periods—he would look upward to the east and see the arched flight of steps to which the highway had to resort in climbing the slope, and downward to the west, glimpsing the old brick colonial schoolhouse that smiles across the road at the ancient Sign of Shakespeare's Head where the Providence Gazette and Country-Journal was printed before the Revolution.
Then came the exquisite First Baptist Church of , luxurious with its matchless Gibbs steeple, and the Georgian roofs and cupolas hovering by. Here and to the southward the neighborhood became better, flowering at last into a marvelous group of early mansions; but still the little ancient lanes led off down the precipice to the west, spectral in their many-gabled archaism and dipping to a riot of iridescent decay where the wicked old water-front recalls its proud East India days amidst polyglot vice and squalor, rotting wharves, and blear-eyed ship-chandleries, with such surviving alley names as Packet, Bullion, Gold, Silver, Coin, Doubloon, Sovereign, Guilder, Dollar, Dime, and Cent.
Sometimes, as he grew taller and more adventurous, young Ward would venture down into this maelstrom of tottering houses, broken transoms, tumbling steps, twisted balustrades, swarthy faces, and nameless odors; winding from South Main to South Water, searching out the docks where the bay and sound steamers still touched, and returning northward at this lower level past the steep-roofed warehouses and the broad square at the Great Bridge, where the Market House still stands firm on its ancient arches.
In that square he would pause to drink in the bewildering beauty of the old town as it rises on its eastward bluff, decked with its two Georgian spires and crowned by the vast new Christian Science dome as London is crowned by St. He like mostly to reach this point in the late afternoon, when the slanting sunlight touches the Market House and the ancient hill roofs and belfries with gold, and throws magic around the dreaming wharves where Providence Indiamen used to ride at anchor.
After a long look he would grow almost dizzy with a poet's love for the sight, and then he would scale the slope homeward in the dusk past the old white church and up the narrow precipitous ways where yellow gleams would begin to peep out in small-paned windows and through fanlights set high over double flights of steps with curious wrought-iron railings. At other times, and in later years, he would seek for vivid contrasts; spending half a walk in the crumbling colonial regions northwest of his home, where the hill drops to the lower eminence of Stampers' Hill with its ghetto and negro quarter clustering round the place where the Boston stage coach used to start before the Revolution, and the other half in the gracious southerly realm about George, Benevolent, Power, and Williams Streets, where the old slope holds unchanged the fine estates and bits of walled garden and steep green lane in which so many fragrant memories linger.
These rambles, together with the diligent studies which accompanied them, certainly account for a large amount of the antiquarian lore which at last crowded the modern world from Charles Ward's mind; and illustrate the mental soil upon which fell, in that fateful winter of , the seeds that came to such strange and terrible fruition. Willett is certain that, up to this ill-omened winter of first change, Charles Ward's antiquarianism was free from every trace of the morbid. Graveyards held for him no particular attraction beyond their quaintness and historic value, and of anything like violence or savage instinct he was utterly devoid.
Then, by insidious degrees, there appeared to develop a curious sequel to one of his genealogical triumphs of the year before; when he had discovered among his maternal ancestors a certain very long-lived man named Joseph Curwen, who had come from Salem in March of , and about whom a whispered series of highly peculiar and disquieting stories clustered. Ward's great-great-grandfather Welcome Potter had in married a certain 'Ann Tillinghast, daughter of Mrs. Eliza, daughter to Capt. James Tillinghast,' of whose paternity the family had preserved no trace. Late in , whilst examining a volume of original town records in manuscript, the young genealogist encountered an entry describing a legal change of name, by which in a Mrs.
Eliza Curwen, widow of Joseph Curwen, resumed, along with her seven-year-old daughter Ann, her maiden name of Tillinghast; on the ground 'that her Husband's name was become a public Reproach by Reason of what was knowne after his Decease; the which confirming an antient common Rumour, tho' not to be credited by a loyall Wife till so proven as to be wholely past Doubting. This entry came to light upon the accidental separation of two leaves which had been carefully pasted together and treated as one by a labored revision of the page numbers. It was at once clear to Charles Ward that he had indeed discovered a hitherto unknown great-great-great-grandfather.
The discovery doubly excited him because he had already heard vague reports and seen scattered allusions relating to this person; about whom there remained so few publicly available records, aside from those becoming public only in modern times, that it almost seemed as if a conspiracy had existed to blot him from memory. What did appear, moreover, was of such a singular and provocative nature that one could not fail to imagine curiously what it was that the colonial recorders were so anxious to conceal and forget; or to suspect that the deletion had reasons all too valid.
Before this, Ward had been content to let his romancing about old Joseph Curwen remain in the idle stage; but having discovered his own relationship to this apparently "hushed-up" character, he proceeded to hunt out as systematically as possible whatever he might find concerning him.
In this excited quest he eventually succeeded beyond his highest expectations; for old letters, diaries, and sheaves of unpublished memoirs in cobwebbed Providence garrets and elsewhere yielded many illuminating passages which their writers had not thought it worth their while to destroy.
One important sidelight came from a point as remote as New York, where some Rhode Island colonial correspondence was stored in the Museum at Fraunces' Tavern. The really crucial thing, though, and what in Dr, Willett's opinion formed the definite source of Ward's undoing, was the matter found in August behind the paneling of the crumbling house in Olney Court. It was that, beyond a doubt, which opened up those black vistas whose end was deeper than the pit.
Joseph Curwen, as revealed by the rambling legends embodied in what Ward heard and unearthed, was a very astonishing, enigmatic, and obscurely horrible individual. He had fled from Salem to Providence—that universal haven of the odd, the free, and the dissenting—at the beginning of the great witchcraft panic; being in fear of accusation because of his solitary ways and queer chemical or alchemical experiments.
He was a colorless-looking man of about thirty, and was soon found qualified to become a freeman of Providence; thereafter buying a home lot just north of Gregory Dexter's at about the foot of Olney Street. His house was built on Stampers' Hill west of the Town Street, in what later became Olney Court; and in he replaced this with a larger one, on the same site, which is still standing. Now the first odd thing about Joseph Curwen was that he did not seem to grow much older than he had been on his arrival.
He engaged in shipping enterprises, purchased wharfage near Mile-End Cove, helped rebuild the Great Bridge in , and in was one of the founders of the Congregational Church on the hill; but always did he retain his nondescript aspect of a man not greatly over thirty or thirty-five. As decades mounted up, this singular quality began to excite wide notice; but Curwen always explained it by saying that he came of hardy forefathers, and practiced a simplicity of living which did not wear him our.
How such simplicity could be reconciled with the inexplicable comings and goings of the secretive merchant, and with the queer gleaming of his windows at all hours of night, was not very clear to the townsfolk; and they were prone to assign other reasons for his continued youth and longevity. It was held, for the most part, that Curwen's incessant mixings and boilings of chemicals had much to do with his condition.
Gossip spoke of the strange substances he brought from London and the Indies on his ships or purchased in Newport, Boston, and New York; and when old Dr. Jabez Bowen came from Rehoboth and opened his apothecary shop across the Great Bridge at the Sign of the Unicorn and Mortar, there was ceaseless talk of the drugs, acids, and metals that the taciturn recluse incessantly bought or ordered from him. Acting on the assumption that Curwen possessed a wondrous and secret medical skill, many sufferers of various sorts applied to him for aid; but though he appeared to encourage their belief in a non-committal way, and always gave them odd-colored potions in response to their requests, it was observed that his ministrations to others seldom proved of benefit.
At length, when over fifty years had passed since the stranger's advent, and without producing more than five years' apparent change in his face and physique, the people began to whisper more darkly; and to meet more than half way that desire for isolation which he had always shown. Private letters and diaries of the period reveal, too, a multitude of other reasons why Joseph Curwen was marvelled at, feared, and finally shunned like a plague. His passion for graveyards, in which he was glimpsed at all hours, and under all conditions, was notorious; though no one had witnessed any deed on his part which could actually be termed ghoulish.
On the Pawtuxet Road he had a farm, at which he generally lived during the summer, and to which he would frequently be seen riding at various odd times of the day or night. Here his only visible servants, farmers, and caretakers were a sullen pair of aged Narragansett Indians; the husband dumb and curiously scarred, and the wife of a very repulsive cast of countenance, probably due to a mixture of negro blood.
In the lead-to of this house was the laboratory where most of the chemical experiments were conducted. Curious porters and teamers who delivered bottles, bags, or boxes at the small read door would exchange accounts of the fantastic flasks, crucibles, alembics, and furnaces they saw in the low shelved room; and prophesied in whispers that the close-mouthed "chymist"—by which they meant alchemist —would not be long in finding the Philosopher's Stone. The nearest neighbors to this farm—the Fenners, a quarter of a mile away—had still queerer things to tell of certain sounds which they insisted came from the Curwen place in the night.
There were cries, they said, and sustained howlings; and they did not like the large numbers of livestock which thronged the pastures, for no such amount was needed to keep a lone old man and a very few servants in meat, milk, and wool. The identity of the stock seemed to change from week to week as new droves were purchased from the Kingstown farmers.
Then, too, there was something very obnoxious about a certain great stone outbuilding with only high narrow slits for windows. Great Bridge idlers likewise had much to say of Curwen's town house in Olney Court; not so much the fine new one built in , when the man must have been nearly a century old, but the first low gambrel-roofed one with the windowless attic and shingled sides, whose timbers he took the peculiar precaution of burning after its demolition.
Here there was less mystery, it is true; but the hours at which lights were seen, the secretiveness of the two swarthy foreigners who comprised the only menservants, the hideous indistinct mumbling of the incredibly aged French housekeeper, the large amounts of food seen to enter a door within which only four persons lived, and the quality of certain voices often heard in muffled conversation at highly unseasonable times, all combined with what was known of the Pawtuxet farm to give the place a bad name.
In choicer circles, too, the Curwen home was by no means undiscussed; for as the newcomer had gradually worked into the church and trading life of the town, he had naturally made acquaintances of the better sort, whose company and conversation he was well fitted by education to enjoy. His birth was known to be good, since the Curwens or Corwins of Salem needed no introduction in New England. It developed that Joseph Curwen had traveled much in very early life, living for a time in England and making at least two voyages to the Orient; and his speech, when he deigned to use it, was that of a learned and cultivated Englishman.
But for some reason or other Curwen did not care for society. Whilst never actually rebuffing a visitor, he always reared such a wall of reserve that few could think of anything to say to him which would not sound inane. There seemed to lurk in his bearing some cryptic, sardonic arrogance, as if he had come to find all human beings dull though having moved among stranger and more potent entities.
Lovecraft and Culbard's 'The Shadow Out of Time' Is a Brooding, Unsettlingly Epic Tale
When Dr. Checkley the famous wit came from Boston in to be rector of King's Church, he did not neglect calling on one of whom he soon heard so much; but left in a very short while because of some sinister undercurrent he detected in his host's discourse. Charles Ward told his father, when they discussed Curwen one winter evening, that he would give much to learn what the mysterious old man had said to the sprightly cleric, but that all diarists agree concerning Dr.
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Checkley's reluctance to repeat anything he had heard. The good man had been hideously shocked, and could never recall Joseph Curwen without a visible loss of the gay urbanity for which he was famed. More definite, however, was the reason why another man of taste and breeding avoided the haughty hermit. In Mr. John Merritt, an elderly English gentleman of literary and scientific leanings, came from Newport to the town which was so rapidly overtaking it in standing, and built a fine country seat on the Neck in what is now the heart of the best residence section.
He lived in considerable style and comfort, keeping the first coach and liveried servants in town, and taking great pride in his telescope, his microscope, and his well-chosen library of English and Latin books. Hearing of Curwen as the owner of the best library in Providence, Mr. Merritt early paid him a call, and was more cordially received than most other callers at the house had been. His admiration for his host's ample shelves, which besides the Greek, Latin, and English classics were equipped with a remarkable battery of philosophical, mathematical, and scientific works including Paracelsus, Agricola, Van Helmont, Sylvius, Glauber, Boyle, Boerhaave, Becher, and Stahl, led Curwen to suggest a visit to the farmhouse and laboratory whither he had never invited anyone before; and the two drove out at once in Mr.
Merritt's coach. Merritt always confessed to seeing nothing really horrible at the farmhouse, but maintained that the titles of the books in the special library of thaumaturgical, alchemical, and theological subjects which Curwen kept in a front room were alone sufficient to inspire him with a lasting loathing. Perhaps, however, the facial expression of the owner in exhibiting them contributed much of the prejudice.
Summary Bibliography: H. P. Lovecraft
This bizarre collection, besides a host of standard works which Mr. Merritt was not too alarmed to envy, embraced nearly all the cabalists, demonologists, and magicians known to man; and was a treasure-house of lore in the doubtful realms of alchemy and astrology. Medieval Jews and Arabs were represented in profusion, and Mr. Merritt turned pale when, upon taking down a fine volume conspicuously labeled as the Qanoon-e-Islam , he found it was in truth the forbidden Necronomicon of the mad Arab Abdul Alhazred, of which he had heard such monstrous things whispered some years previously after the exposure of nameless rites at the strange little fishing village of Kingsport, in the province of the Massachussetts-Bay.
But oddly enough, the worthy gentleman owned himself most impalpably disquieted by a mere minor detail. On the huge mahogany table there lay face downwards a badly worn copy of Borellus, bearing many cryptical marginalia and interlineations in Curwen's hand. The book was open at about its middle, and one paragraph displayed such thick and tremulous pen-strokes beneath the lines of mystic black-letter that the visitor could not resist scanning it through.
Whether it was the nature of the passage underscored, or the feverish heaviness of the strokes which formed the underscoring, he could not tell; but something in that combination affected him very badly and very peculiarly. He recalled it to the end of his days, writing it down from memory in his diary and once trying to recite it to his close friend Dr.
Checkley till he saw how greatly it disturbed the urbane rector. It read:. It was near the docks along the southerly part of the Town Street, however, that the worst things were muttered about Joseph Curwen.
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Sailors are superstitious folk; and the seasoned salts who manned the infinite rum, slave, and molasses sloops, the rakish privateers, and the great brigs of the Browns, Crawfords, and Tillinghasts, all made strange furtive signs of protection when they saw the slim, deceptively young-looking figure with its yellow hair and slight stoop entering the Curwen warehouse in Doubloon Street or talking with captains and supercargoes on the long quay where the Curwen ships rode restlessly.
Curwen's own clerks and captains hated and feared him, and all his sailors were mongrel riff-raff from Martinique, St. Eustatius, Havana, or Port Royal. It was, in a way, the frequency with which these sailors were replaced which inspired the acutest and most tangible part of the fear in which the old man was held. A crew would be turned loose in the town on shore leave, some of its members perhaps charged with this errand or that; and when reassembled it would be almost sure to lack one or more men. That many of the errands had concerned the farm of Pawtuxet Road, and that few of the sailors had ever been seen to return from that place, was not forgotten; so that in time it became exceedingly difficult for Curwen to keep his oddly assorted hands.
Almost invariably several would desert soon after hearing the gossip of the Providence wharves, and their replacement in the West Indies became an increasingly great problem to the merchant. By Joseph Curwen was virtually an outcast, suspected of vague horrors and daemoniac alliances which seemed all the more menacing because they could not be named, understood, or even proved to exist. The last straw may have come from the affair of the missing soldiers in , for in March and April of that year two Royal regiments on their way to New France were quartered in Providence, and depleted by an inexplicable process far beyond the average rate of desertion.
Rumor dwelt on the frequency with which Curwen was wont to be seen talking with the red-coated strangers; and as several of them began to be missed, people thought of the odd conditions among his own seamen. What would have happened if the regiments had not been ordered on, no one can tell. Meanwhile the merchant's worldly affairs were prospering. He had a virtual monopoly of the town's trade in saltpeter, black pepper, and cinnamon, and easily led any other one shipping establishment save the Browns in his importation of brassware, indigo, cotton, woolens, salt, rigging, iron, paper, and English goods of every kind.
Such shopkeepers as James Green, at the Sign of the Elephant in Cheapside, the Russells, at the Sign of the Golden Eagle across the Bridge, or Clark and Nightingale at the Frying-Pan and Fish near New Coffee-House, depended almost wholly upon him for their stock; and his arrangements with the local distillers, the Narragansett dairymen and horse-breeders, and the Newport candle-makers, made him one of the prime exporters of the Colony.
Ostracized though he was, he did not lack for civic spirit of a sort. When the Colony House burned down, he subscribed handsomely to the lotteries by which the new brick one—still standing at the head of its parade in the old main street—was built in In that same year, too, he helped rebuild the Great Bridge after the October gale. He replaced many of the books of the public library consumed in the Colony House fire, and bought heavily in the lottery that gave the muddy Market Parade and deep-rutted Town Street their pavement of great round stones with a brick footwalk or "causey" in the middle.
About this time, also, he built the plain but excellent new house whose doorway is still such a triumph of carving. When the Whitefield adherents broke off from Dr. Cotton's hill church in and founded Deacon Snow's church across the Bridge, Curwen had gone with them; though his zeal and attendance soon abated. Now, however, he cultivated piety once more; as if to dispel the shadow which had thrown him into isolation and would soon begin to wreck his business fortunes if not sharply checked.
The sight of this strange, pallid man, hardly middle-aged in aspect yet certainly not less than a full century old, seeking at last to emerge from a cloud of fright and detestation too vague to pin down or analyze, was at once a pathetic, a dramatic, and a contemptible thing. Such is the power of wealth and of surface gestures, however, that there came indeed a slight abatement in the visible aversion displayed toward him; especially after the rapid disappearances of his sailors abruptly ceased. He must likewise have begun to practice an extreme care and secrecy in his graveyard expeditions, for he was never again caught at such wanderings; whilst the rumors of uncanny sounds and maneuvers at his Pawtuxet farm diminished in proportion.
His rate of food consumption and cattle replacement remained abnormally high; but not until modern times, when Charles Ward examined a set of his accounts and invoices in the Shepley Library, did it occur to any person—save one embittered youth, perhaps—to make dark comparisons between the large number of Guinea blacks he imported until , and the disturbingly small number for whom he could produce bona fide bills of sale either to slave-dealers at the Great Bridge or to the planters of the Narragansett Country.
Certainly, the cunning and ingenuity of this abhorred character were uncannily profound, once the necessity for their exercise had become impressed upon him. But of course the effect of all this belated mending was necessarily slight. Curwen continued to be avoided and distrusted, as indeed the one fact of his continued air of youth at a great age would have been enough to warrant; and he could see that in the end his fortunes would be likely to suffer.
His elaborate studies and experiments, whatever they may have been, apparently required a heavy income for their maintenance; and since a change of environment would deprive him of the trading advantages he had gained, it would not have profited him to begin anew in a different region just then.
Judgment demanded that he patch up his relations with the townsfolk of Providence, so that his presence might no longer be a signal for hushed conversation, transparent excuses or errands elsewhere, and a general atmosphere of constraint and uneasiness. His clerks, being now reduced to the shiftless and impecunious residue whom no one else would employ, were giving him much worry; and he held to his sea-captains and mates only by shrewdness in gaining some kind of ascendancy over them—a mortgage, a promissory note, or a bit of information very pertinent to their welfare.
In many cases, diarists have recorded with some awe, Curwen showed almost the power of a wizard in unearthing family secrets for questionable use. During the final five years of his life it seemed as though only direct talks with the long-dead could possibly have furnished some of the data which he had so glibly at his tongue's end. About this time the crafty scholar hit upon a last desperate expedient to regain his footing in the community. Hitherto a complete hermit, he now determined to contract an advantageous marriage; securing as a bride some lady whose unquestioned position would make all ostracism of his home impossible.
It may be that he also had deeper reasons for wishing an alliance; reasons so far outside the known cosmic sphere that only papers found a century and a half after his death caused anyone to suspect them; but of this nothing certain can ever be learned. Naturally he was aware of the horror and indignation with which any ordinary courtship of his would be received, hence he looked about for some likely candidate upon whose parents he might exert a suitable pressure.
Such candidates, he found, were not at all easy to discover; since he had very particular requirements in the way of beauty, accomplishments, and social security. At length his survey narrowed down to the household of one of his best and oldest ship-captains, a widower of high birth and unblemished standing named Dutee Tillinghast, whose only daughter Eliza seemed dowered with every conceivable advantage save prospects as an heiress.
Tillinghast was completely under the domination of Curwen; and consented, after a terrible interview in his cupolaed house on Power's Lane hill, to sanction the blasphemous alliance. Eliza Tillinghast was at that time eighteen years of age, and had been reared as gently as the reduced circumstances of her father permitted. She had attended Stephen Jackson's school opposite the Court-House Parade; and had been diligently instructed by her mother, before the latter's death of smallpox in , in all the arts and refinements of domestic life. A sampler of hers, worked in at the age of nine, may still be found in the rooms of the Rhode Island Historical Society.
After her mother's death she had kept the house, aided only by one old black woman. Her arguments with her father concerning the proposed Curwen marriage must have been painful indeed; but of these we have no record. Certain it is that her engagement to young Ezra Weeden, second mate of the Crawford packet Enterprise , was dutifully broken off, and that her union with Joseph Curwen took place on the seventh of March, , in the Baptist church, in the presence of the most distinguished assemblages which the town could boast; the ceremony being performed by the younger Samuel Winsor.
The Gazette mentioned the event very briefly. Ward found a single intact copy after much search in the archives of a private collector of note, observing with amusement the meaningless urbanity of the language:. Dutee Tillinghast, a young Lady who has real Merit, added to a beautiful Person, to grace the connubial State and perpetuate its Felicity.
The collection of Durfee-Arnold letters, discovered by Charles Ward shortly before his first reputed madness in the private collection of Melville F. Peters, Esq. The social influence of the Tillinghasts, however, was not to be denied; and once more Joseph Curwen found his house frequented by persons whom he could never otherwise have induced to cross his threshold. His acceptance was by no means complete, and his bride was socially the sufferer through her forced venture; but at all events the wall of utter ostracism was somewhat torn down.
In his treatment of his wife the strange bridegroom astonished both her and the community by displaying an extreme graciousness and consideration. The new house in Olney Court was now wholly free from disturbing manifestations, and although Curwen was much absent at the Pawtuxet farm which his wife never visited, he seemed more like a normal citizen than at any other time in his long years of residence. Only one person remained in open enmity with him, this being the youthful ship's officer whose engagement to Eliza Tillinghast had been so abruptly broken. Ezra Weeden had frankly vowed vengeance; and though of a quiet and ordinarily mild disposition, was now gaining a hate-bred, dogged purpose which boded no good to the usurping husband.
On the seventh of May, , Curwen's only child Ann was born; and was christened by the Rev. John Graves of King's Church, of which both husband and wife had become communicants shortly after their marriage, in order to compromise between their respective Congregational and Baptist affiliations. The record of this birth, as well as that of the marriage two years before, was stricken from most copies of the church and town annals where it ought to appear; and Charles Ward located both with the greatest difficulty after his discover of the widow's change of name had apprised him of his own relationship, and engendered the feverish interest which culminated in his madness.
The birth entry, indeed, was found very curiously through correspondence with the heirs of the loyalist Dr. Graves, who had taken with him a duplicate set of records when he left his pastorate at the outbreak of the Revolution. Ward had tried this source because he knew that his great-great-grandmother Ann Tillinghast Potter had been an Episcopalian. Shortly after the birth of his daughter, an event he seemed to welcome with a fervor greatly out of keeping with his usual coldness, Curwen resolved to sit for a portrait.
This he had painted by a very gifted Scotsman named Cosmo Alexander, then a resident of Newport, and since famous as the early teacher of Gilbert Stuart. The likeness was said to have been executed on a wall-panel of the library of the house in Olney Court, but neither of the two old diaries mentioning it gave any hint of its ultimate disposition. At this period the erratic scholar showed signs of unusual abstraction, and spent as much time as he possibly could at his farm on the Pawtuxet Road.
He seemed, as was stated, in a condition of suppressed excitement or suspense; as if expecting some phenomenal thing or on the brink of some strange discovery. Chemistry or alchemy would appear to have played a great part, for he took from his house to the farm the greater number of his volumes on that subject. His affectation of civic interest did not diminish, and he lost no opportunities for helping such leaders as Stephen Hopkins, Joseph Brown, and Benjamin West in their efforts to raise the cultural tone of the town, which was then much below the level of Newport in its patronage of the liberal arts.
He had helped Daniel Jenckes found his bookshop in , and was thereafter his best customer; extending aid likewise to the struggling Gazette that appeared each Wednesday at the Sign of Shakespeare's Head. In politics he ardently supported Governor Hopkins against the Ward party whose prime strength was in Newport, and his really eloquent speech at Hacher's Hall in against the setting off of North Providence as a separate town with a pro-Ward vote in the General Assembly did more than any other thing to wear down the prejudice against him.
But Ezra Weeden, who watched him closely, sneered cynically at all this outward activity; and freely swore it was no more than a mask for some nameless traffic with the blackest gulfs of Tartarus. The revengeful youth began a systematic study of the man and his doings whenever he was in port; spending hours at night by the wharves with a dory in readiness when he saw lights in the Curwen warehouses, and following the small boat which would sometimes steal quietly off and down the bay. He also kept as close a watch as possible on the Pawtuxet farm, and was once severely bitten by the dogs the old Indian couple loosed upon him.
In came the final change in Joseph Curwen. It was very sudden, and gained wide notice amongst the curious townsfolk; for the air of suspense and expectancy dropped like an old cloak, giving instant place to an ill-concealed exaltation of perfect triumph. Curwen seemed to have difficulty in restraining himself from public harangues on what he had found or learned or made; but apparently the need of secrecy was greater than the longing to share his rejoicing, for no explanation was ever offered by him.
It was after this transition, which appears to have come early in July, that the sinister scholar began to astonish people by his possession of information which only their long-dead ancestors would seem to be able to impart. But Curwen's feverish secret activities by no means ceased with this change. On the contrary, they tended rather to increase; so that more and more of his shipping business was handled by the captains whom he now bound to him by ties of fear as potent as those of bankruptcy had been.
He altogether abandoned the slave trade, alleging that its profits were constantly decreasing. Every possible moment was spent at the Pawtuxet farm; although there were rumors now and then of his presence in places which, though not actually near graveyards, were yet so situated in relation to graveyards that thoughtful people wondered just how thorough the old merchant's change of habits really was. Ezra Weeden, though his periods of espionage were necessarily brief and intermittent on account of his sea voyaging, had a vindictive persistence which the bulk of the practical townsfolk and farmers lacked; and subjected Curwen's affairs to a scrutiny such as they had never had before.
Many of the odd maneuvers of the strange merchant's vessels had been taken for granted on account of the unrest of the times, when every colonist seemed determined to resist the provisions of the Sugar Act which hampered a prominent traffic. Smuggling and evasion were the rule in Narragansett Bay, and nocturnal landings of illicit cargoes were continuous commonplaces.
The Man Who Can Scare Stephen King | AMERICAN HERITAGE
But Weeden, night after night following the lighters or small sloops which he saw steal off from the Curwen warehouses at the Town Street docks, soon felt assured that it was not merely His Majesty's armed ships which the sinister skulker was anxious to avoid. Prior to the change in these boats had for the most part contained chained negroes, who were carried down and across the bay and landed at an obscure point on the shore just north of Pawtuxet; being afterward driven up the bluff and across country to the Curwen farm, where they were locked in that enormous stone outbuilding which had only five high narrow slits for windows.
After that change, however, the whole program was altered. Importation of slaves ceased at once, and for a time Curwen abandoned his midnight sailings. Then, about the spring of , a new policy appeared. Once more the lighters grew wont to put out from the black, silent docks, and this time they would go down the bay some distance, perhaps as far as Namquit Point, where they would meet and receive cargo from strange ships of considerable size and widely varied appearance. Curwen's sailors would then deposit this cargo at the usual point on the shore, and transport it overland to the farm; locking it in the same cryptical stone building which had formerly received the negroes.
The cargo consisted almost wholly of boxes and cases, of which a large proportion were oblong and heavy and disturbingly suggestive of coffins. Weeden always watched the farm with unremitting assiduity; visiting it each night for long periods, and seldom letting a week go by without a sight except when the ground bore a footprint-revealing snow. Even then he would often walk as close as possible in the traveled road or on the ice of the neighboring river to see what tracks others might have left. Finding his own vigils interrupted by nautical duties, he hired a tavern companion named Eleazar Smith to continue the survey during his absence; and between them the two could have set in motion some extraordinary rumors.
That they did not do so was only because they knew the effect of publicity would be to warn their quarry and make further progress impossible. This, Lovecraft warned, would be the true picture of our future relationship to those other intelligent beings. Only instead of pledging to liberate humanity, cosmic horror puts it in its place. I n the conservative religious journal First Things in David P. Goldman wrote:.
Among all the film genres horror began as the most alien to America…As Heinrich Heine once observed, the witches and kobolds and poltergeister of German folktales are remnants of the old Teutonic nature-religion that went underground with the advent of Christianity. The pagan sees nature as arbitrary and cruel, and the monsters that breed in the pagan imagination personify this cruelty.
Removed from their pagan roots and transplanted to America, they became comic rather than uncanny. America was the land of new beginnings and happy endings. Lovecraft agreed. Dying from cancer in , never able to make a living off his writing and admired largely only by other genre writers, he was convinced his stories would fade into obscurity, the same fate eventually met by all the other pulp hacks. But appreciating this achievement means reckoning at the same time with its darker underpinnings, which reinforce his legacy as much as it scandalizes.
The problem is that his racial fixations inform his writing; they are not discrete concerns. In his stories humanity is an unhappy accident in the universe, acting with no rhyme or reason; the same goes for the more powerful beings they encounter. Yet at the same time he also argued for a hyper-rational race-based hierarchy of humanity. As a matter of fact, it is freely conceded that the Mediterranean race turns out a higher percentage of the aesthetically sensitive and that the Semitic groups excel in sharp, precise intellectation.
It may be, too, that the Mongolian excels in aesthetick capacity and normality of philosophical adjustment. What, then, is the secret of pro-Nordicism among those who hold these views? Simply this—that ours is a Nordic culture, and that the roots of that culture are so inextricably tangled in the national standards, perspectives, traditions, memories, instincts, peculiarities, and physical aspects of the Nordic stream that no other influences are fitted to mingle in our fabric. This pseudointellectual framework did not carry very far into reality, however.
His works were steeped in fear and delusion, and their atheism turned out a synthesis of the bleak diagnoses of Schopenhauer —who saw existence as futile and humanity driven by irrational reflexes—and Nietzsche —who eulogized God and told humanity it had to do something about it. Lovecraft, then, saw humanity searching for any and all manner of deity in a vast, chaotic chasm and finding only indifferent leviathans.
Encompassing all of his extraterrestrial creations, along with some outside additions, both the term and the concept came not from Lovecraft but from his fellow writer, correspondent, and admirer August Derleth, who assumed the Max Brod role of collecting and publishing his works in book form for the first time after Lovecraft died. Hoffmann Price, Hugh B. Cave, and others. Derleth is controversial among Lovecraftians. The Cthulhu mythos has become less of a literary project than one of the highest classes of fan fiction ever conceived, offering a universal vision that fits more comfortably into a fantasy roleplaying game than a literary school.