There are a few different ways to perform the moving pip trick, but one popular variation begins with the magician asking a volunteer to pick a card while the deck is riffled. Once a card is chosen, the magician produces a sealed envelope containing his prediction for the chosen card. Monte Cristo Deck is not only one more trick deck among others on the market, which would be good just for one trick only. By far not! With a stripper deck you can replicate what would normally take years of sleight of hand practice. While other card tricks are difficult to replicate and can pretty much only be accomplished with a stripper deck.
These cards, also known as "gaff" cards and are used for card magic or for playing tricks on friends. Vanishing Coin Cards. Really easy trick to perform, a Magician shows a 10p, 1p, 2p or 5p coin and covers with a card. The coin instantly vanishes and and can be made to reappears anywhere you decide. With a magical gesture, all of a sudden the face of the top card is now blank and the spots have now been printed on the back of the other card.
Svengali Card Deck. These cards are a Svengali Deck. Great for Magicians of all ages and skill levels. Roughing Stick small, for this effect only. Instructions for the 'X' card trick. The freely chosen card is removed from the deck and placed face-up on the table.
The deck is then turned over and fanned face-down, showing it to be entirely unmarked. Unicorn Cards. Whether you are just starting out or have been performing for years we are sure to have what you need. EUR 7. Four cards two red and two black are displayed riveted together in a fan, alternating red, black, red, black red, blue, red, blue backs. Bicycle stripper deck, fully sealed and professionally made by bicycle.
Stripper Deck Bicycle Blue. Moving Hole Card Trick. Punch a hole in a card, push a pen through it to show its a real hole. You then pace your finger over the hole and it disappears you then push your finger the other side of the card and the hole appears in a different spot! Effect: On the magicians command, a spinning playing card is caused to float in mid air. The card floats from hand to hand and all the way round the magicians body.
His arms form a hoop through which the playing card floats, dispelling any thoughts about how the trick is done. By doing so you get a chance to read just how much Harry Lorayne loves magic that doesn't just involve a deck of cards, which I found to be quite refreshing. The trick is very simple to perform - It uses 2 very simple sleights.
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Everyone thinks that you have gotten it wrong but the jumbo card that has been in sight throughout the whole trick is removed from its envelope and shown to have magically changed into the chosen card! Results pagination - page 1 1 2 3 4 5 6 7 8 9 Make an offer. Yigal Mesika. Magic Tricks. Make offer - Tarantula. David Stone. Secrets of Magic. Make offer - David Stone. DVD x 2. Shop by category. Suitablility see all. Not specified. Type see all. Card Tricks Filter Applied. Condition see all. Please provide a valid price range. Buying format see all. All listings. Buy it now.
Classified Ads. Item location see all. Ireland Only. My Father, Norman, who is always a source of inspiration. My entire family, who have watched my magic tricks and listened to my dreams for many years and counting. Do these kinds of magic tricks involve psychic ability No. Stooges and confederates Not usually, unless the performer is a poor exponent of his craft.
So how are they done Well, you will not find the answers here. After all, if you take away the secrets, you take away the magic, and that is not a fun thing to do. In another way, of course, magic is different from other fields. If you started piano lessons today, you wouldn't have business cards printed next week proclaiming yourself a concert pianist, because you'd understand that you were still learning the scales. In magic, the there are those who do buy five magic tricks and do print business cards that say Magic For All Occasions.
And, of course, when the national economy is down, there is even more incentive for this kind of thing. Identifying and acknowledging the positive intention of the critic, and turning the criticism into a how question, is an example of a type of 'verbal magic trick', using Sleight of Mouth to shift attention from a problem frame or failure frame to an outcome frame and feedback frame. It results in the transformation of a critic from a spoiler to an advisor. The process is based upon two fundamental forms of reframing that are at the core of the Sleight of Mouth patterns Intention and Redefining.
Magic shops have evolved into online retailers and magic kiosks. This may be the natural evolution of things. One focuses on the devoted magic enthusiast, the other on the passerby who is fascinated by the strange red light coming from the salesman's thumb. Magic kiosks have found their way into shopping malls, flea markets and even amusement parks. If you're looking for a way to make money selling magic, but don't want to make the kind of financial commitment required to buy your own donkey cart and stock it with overpriced magic tricks and rent floor space, you can sell just a couple tricks off your magic table at county fairs or other special events for the price of a vendor fee.
Magicseen cover star and all round good egg Jay Sankey is launching a 'dramatically re-vamped' website in November, where die hard fans will be able to purchase refills for many of the most popular Sankey Magic tricks as well as check out 'Jay's Blog' and the new 'Inner Secrets Forum'. Keep tuning in to see exactly what's going on in Sankeyville www.
Edward Tufte teaches statistical evidence and information design at Yale Universtity. Visual Explanations Images and Quantities, Evidence and Narrative is the third book in his series on the display of information. His second book, Envisioning Information , is about pictures of nouns. Visual Explanations is about pictures of verbs, the representation of mechanism and motion, process and dynamics, cause and effect, explanation and narrative.
Of interest to magicians is one chapter devoted to magic trick illustrations, and this chapter was co-written with Jamy Ian Swiss. Tufte discusses magic illustrations for two reasons they are the two dimensional representation of actions which occur in space and time and the field of conjuring is related to disinformation design, in which the viewer is intentionally given information which leads to incorrect conclusions.
The thing is, don't teachers normally want their student's to succeed I mean, Tyler learned all he knows from Mystery, but Tyler also broke it down and incorporated a lot of his own stuff into the mix. I've been sarging with Mystery, and I've been sarging with Tyler, and though the basics of their game is the same, the specifics are quite different. In a way, TD's stuff is a little less intimidating to learn because it's tailored to the more ''average'' guy. That said, Mystery's stuff is still the most solid version of Mystery Method I've seen.
If you like material like this, The Precurser occasionally publishes magic tricks also. You can partake by sending Bill 16 per year for three issues. If you want him to know how much you appreciate the above trick, make your check payable to The Trapdoor. Kirriemuir to be exact, and for those of you who may be interested, and there is one, my dear old mum, now in her middle eighties, is just fine.
She has no idea what the youngest of her seven children really does for a living. She knows he's written a few books, she knows he has been on T. By her standards, everyone has a job of work to go to every day and at the end of the week you put your hand out and someone puts money in it. She, like most of her generation in this country were brainwashed over the years into thinking that this was life, this was living.
A regular job was everything.
Why not, after gathering all the information, offer to provide a small army of close-up magicians for the cocktail party And how could they know - unless you suggest the option -that this small army could also hand out specially packaged private party magic tricks for the guests themselves to perform Tricks which commemorate the event long after the evening is over. To end this special extravaganza, there could even be a show where the guest of honor himself perforins all the illusions.
Inventing magic tricks is not for everyone. However, it is your choice to make.
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Almost every magician with a sincere desire who is willing to put in the necessary effort can invent magic tricks. Before I start let me warn you about a trap you should avoid falling into. Magicians should always be careful about falling into traps. Don't be too quick to discard someone else's trick for one of yours, simply because it is yours.
I have invented several thousand magic tricks routines variations over the last fifteen years. However, in all but about of these, I decided that an existing trick or routine was better. Also, many of the others I had created were simply no good. I may have spent several hours, days, or weeks working on something which was, when finished, not even as good as the average. It is important that you learn to honestly evaluate your creations.
Don1t use something just because you invented it when it might be inferior to other material which is available. There are This is important As a speaking performer, I deeply believe that my performances of an idividual trick or an entire show should be interesting purely on the verbal level, without the visual addition of the magic tricks.
If, through audio taping, I find that my show moves along and is interesting purely on the verbal level, then I am confident that when I add the visual effects to the verbal presentations the result will be even better. However, the more I performed lor corporate audiences as a mentalist , die more I felt it was important for me to remove playing cards from my act completely. As 1 mentioned earlier.
I believe that when audience members see playing cards, some immediately think card trick or magic trick. Additionally, those that have been involved in retailing magic for some years such as Marvin Berglas who sells a range of magic tricks for children, reports sales skyrocketing. In alone, Marvin's company based in London, sold over 15 million 23m worth of magic tricks through toy stores Paul Daniels range of magic tricks was at one stage reported in the newspapers as being the product that kept a major toy company going in business throughout the recession.
So how can a giveaway generate that kind of money Simple. Your giveaway has your contact details on it The specifics of the giveaway are really not that important, but you want something with a perceived value that is easy for the kids to have fun with, so it could be any simple magic effect that they can do. These are the type of magic tricks that you usually find in a boxed magic set, and that can be purchased inexpensively in bulk from many magic suppliers.
With a private kids party though, magic tricks as giveaways work especially well, because not only is there a higher perceived value to your show, but the kids will ALL take home the magic trick, and you can be sure they will talk about it and show their parents. We suggest putting a little package together in one of those clear plastic re-sealable bags, to include one or two simple magic tricks, your business card, the instructions for the tricks, and perhaps a little leaflet with some further simple tricks that can be Created in England, it was an almost perfect magic trick for a twelve year old.
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I say almost because it did require that you force one of five balls of colored yarn. Not necessarily an easy task for a twelve year old. The force used, as I remember, was a less-than-deceptive mix of counting OR spelling the number named OR eliminating OR not eliminating -- in short, a verbal mess.
A splendid example of what you can do if you will it -is the experience of Cardini. He was not always the successful magician he is today. If anybody had to buck hardships, he did. Shell-shocked after the World War, he lay in a hospital bed in England, helpless. A magician who played in his ward stimulated his desire to learn magic. He dug up what few books he could on the subject and, getting a few decks of cards, practised sleights by the hour. When nurses and doctors saw him going through the various movements they thought he had gone crazy and put him in the psychopathic ward.
Later on, as the effects of the shell shock wore off, he began giving entertainments. Finally he wandered into Gamages in London and sold magic tricks and novelties from behind the counter. Then off to Australia where he put his knowledge of magic into practical use and became a vaudeville success there. So on to America. But here things did not go so good. For five months he suffered hardships trying to get Second, you might begin watching instructional magic video tapes.
Frankly, I think that videos are wonderful in two specific ways on the one hand, they are the archival records of performers that we can enjoy long after they are dead and, on the other, magic videos are very helpful in learning particular sleights. Imagine that you wanted to learn a Shuttle Pass with coins. I suspect that you could read David Roth's excellent book and still have difficulty understanding the timing of this sleight. The timing of the move, however, is something that you can see on his video tape -- and that, indeed, is a wonderful aid for the serious student.
For learning complete magic tricks or routines, unfortunately, video tape learning tends to produce monkey-performers who simply imitate what they have seen and heard. It gets pretty uncreative and dull. There's an age-old magic trick where the performer would light a match and ask the spectator to hold out their hand and close their eyes, the performer would then switch the matchstick for an ice cube and touch the performers hand with it. Due to the participants' expectations, the ice would feel like a flame, they would feel heat when really it was ice cold.
This concept amazed me so much that I studied the idea of being able to trick somebody's mind with expectations and I developed my own approach to the concept. Real Magic is a parody of conventional magic tricks. The spectator actually looks into a cr stal ball and at first, sees a nude woman. Then he looks again and sees a freely selected card that a spectator has removed from a deck and placed into his pocket without looking at it.
Nobody knows the identity of this card until it is revealed by the spectator. This new project is a magic quarterly. I gather from the first issue Winter -scheduled to appear in January, but not actually sent our until the end of February beginning of March that they are trying to provide their subscribers with a mix of good magic tricks and timely essays on various magic-related topics.
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They are the right guys for the task. I enjoyed reading the plus pages very much future issues are said to be between 32 and 40 pages. At the end of Card College 4 is a thoughtful essay in which Mr. Giobbi attempts to identify and organize the major elements on which a magic performance is based. As his organizational model, Mr.
Giobbi uses a pyramid containing seven layers effect, methods, staging, psychology, communication, history, and intellectual and emotional effects. Analyzing and examining these layers, starting at the bottom of the pyramid and moving toward the top, allows the student to develop a magic trick from its conception to its realization in front of an audience.
I applaud Mr. Giobbi's attempt to codify this information. Practitioners of Bizarre Magick will enjoy this new book from Thaumysta Publishing. Eugene Poinc has taken some very basic magic tricks the Grandmother's Necklace, the Afghan Bands, the Professor's Nightmare, the Buddah Papers and has cloaked them in very evocative presentations based on a character called The Practitioner, a shadowy figure who dresses in gray and who travels the world telling weird stories. The best way to describe it is to quote Steve's own description, In all, there were 24 issues, containing over pages, 32 magic tricks, 9 interviews, 22 book and video reviews, 20 convention and show reviews, 22 feature articles, 4 poems, 17 staff adventures, and much, much more.
All the above was. Mulholland's Book of Magic 6 x 9, pages, 9. There are simple stunts, impromptu magic tricks, card tricks , mental effects, and some terrific effects that require special props. Most of these prop tricks are completely unknown to contemporary magicians and would certainly be worth the effort to construct. At 10 this book is a steal. Finally, The Amazing Dad 7. The material in this book seemed like so much fun that I sent a copy to my father.
He wrote me out of the will. I guess you can't go home again. Charlie Frye is an eclectic performer. He is a juggler, a comedian, and a magician. As an aside, I should mention that jugglers make the most dangerous type of For a period of time Ed Marlo worked as a demonstrator at the Treasure Chest, a store in the Chicago Loop which featured pinball machines, books, records, souvenirs, toys, and magic tricks. Highlights in this chapter are Colorful Vision, a four-phase routine for the standard Colorvision prop which will fool laymen or magicians and Poor Man's Locking Key Routine, which is a routine for the cheap, miniature linking rings which came with the old S.
Adams magic kits. If you're not familiar with this set of rings, they are about 3. Ed took advantage of this solder joint in a very sneaky way. I have found that it is useful to be able to do baffling routines with standard slum props, not only to pitch the items which I did at one point in my life , but also What's in The Crimp It's really more of a 'zine ' than a magazine.
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It is hand drawn and lettered by Jerry Sadowitz. In every issue there is at least one thing that makes me laugh out loud. Not just snicker, but also really, really laugh. There is also always something most people will find offensive. And it seems an afterthought, but in addition to the filthy cartoons and rants, there is what I consider the best selection of actual magic tricks of any current magic magazine.
On the other hand, the response from regular people - kids especially - has been almost completely one-sided. They all have exciting stories to tell me about their experiences trying the various tricks I demonstrated the messes they've made, the people they've fooled or didn't fool, or how the trick went right or wrong. It's been very fun for me. If you know of a kid that likes that sort of thing, then Klutz Press has a book they'd love. It's called The Rubber Chicken Book. It is filled with bad jokes, goofy skits, simple magic tricks, and a fabulous practical joke.
You can buy this in your regular bookstore. Then, if it turns out the kid has a knack for this kind of thing, you can turn them on to Martin Gardner's Encyclopedia of Impromptu Magic in fact, Mr. Gardner is mentioned in the acknowledgments for The Rubber Chicken Effect Is there a difference between the mind and the imagination Without waiting for an answer, the mage removes a deck of playing cards from his pocket and addresses a spectator on his left.
Susan, here is a deck of cards for you. He turns to a spectator on his right, John, this is not a magic trick, so we are not going to have you pretend that you are using an ' invisible deck. I have often suggested to magicians that the magic tricks they do and the way in which these tricks are presented should be an expression of their lives and not a substitute for them.
Adopting this suggestion immediately makes your magic unique. No one else on earth exactly shares your life experiences and your various interests. Incorporating your viewpoints and experiences into your presentations not only allows the spectators a chance to learn about you as a person, it can also provide interesting emotional hooks that allow your magic to be more meaningful.
York, an author of numerous books and essays on psychology and religion, and a prolific author of magic tricks and origami folds. His new book, Life, Death, and Other Card Tricks , is as unusual as its title would suggest, for here are familiar card tricks When we arrived home, my brother suddenly asked me, Can you do magic tricks Sure, I replied, as I bolted up the steps to my second floor bedroom. I wanted to make myself scarce before Gordy asked me to prove it. Shortly, I heard my brother I signed the book out and began the walk home.
As I slowly moved through the shady, tree lined streets of Forest Park, a Baltimore suburb, I excitedly began to leaf through the pages. Suddenly, I saw a drawing of a hand holding a playing card. In the next illustration, the card had vanished. I sat on the curb and began to absorb my first experience with the back hand palm.
I didn't find out there was a front hand palm until some time later. Within a few minutes, I managed to grasp the working of my first sleight of hand magic trick. I arrived home and as I ran up the stairs, two at a time, I tried to remember where my mother stored the playing cards. After rummaging around, I found them. For several minutes I practiced making the card vanish at my If you are a newcomer to magic and you absolutely lack the ability to read a book, you will find much of value on these tapes.
If you have been in magic for a while, you will probably already know much of the material presented. Many methods have been published for causing a transposition of two bills, of different denominations, between your hand and spectator's. Since they involve gimmicking of bills, they are not strictly impromptu and will not be discussed here. Generally speaking, if an ad for a magic trick reads as if it's too good to be true, you're probably going to be disappointed when you get it.
Markovik's Power-Lev certainly sounds impressive from the ad copy No threads, no jacket required, no lighting limitations, no anchoring needed, and it is designed to levitate borrowed beer bottles, pop cans, and similar objects. Well, let's clear up the ad copy a little. A levitation effect implies that the object floats up from the ground into the air, where it hovers in space. It then floats back to the ground or, as in the classic Asrah illusion, the floating girl disappears. A suspension effect implies that the object is held above the ground by supports.
These supports are removed and the object hovers in space. There is no motion up or down through the air. The supports are then replaced. Walter Blaney's Ladder Suspension is an excellent example. Power-Lev is not a levitation, it is a suspension. You hold a bottle in front of your At this point, why not take the next step and request your personal copy of my free demo video, you'll be able to see first hand how I can help your company increase sales substantially. All you have to do is sign the bottom of this page, and fax it back to me at I will rush you a copy of the video, along with my schedule of charges, and a very special free gift for you to keep, a magic trick that you will have great fun with.
TMZ, the US news source, has revealed that a female magician - part of an ensemble of magicians who were supposed to teach celebrities magic tricks - was a victim of attempted rape at a landmark Hollywood hotel. The cast and crew were staying at the Magic Castle Hotel in Hollywood, which is immediately next door to the illustrious Magic Castle, the private club for magicians.
The Egg Bag is a classic magic trick. Yet, it remains in the repertoires of many contemporary professionals. For example, Jeff Hobson absolutely kills with his Egg Bag routine. Why does this trick preserver Probably for two reasons the props are simple, and the effect is clear-cut and easy to understand.
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The egg appears, the egg disappears, the egg comes back. In addition, because of its simplicity, the Egg Bag is the perfect vehicle for allowing a performer's personality to express itself.
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The book begins with an Introduction which explains the organization of the material, some information on the history of the tricks, the meaning of the cute icons which accompany the text these icons provide quick visual guides to portions of text which contain information on prep work, misdirection moments, psychological touches, and tips on performance , and advice on how to learn the material. Unfortunately, in this Introduction, Mr. Pogue continues to reinforce the great lie that learning a few magic tricks will correct all your personality deficits. I am sure that this sales pitch sells books and indeed, this has been one of the main ways that magic dealers have attracted buyers , but the downside is that it brings into the community of magicians more social misfits than we really need.
Wherever the spectator stops dealing cards onto the table, she might stop dealing cards ON a target card. You will know if this is the case as she is dealing the cards crop faces up. Why deal the cards with the crop design sides upward and showing Doesn't that seem suspicious No it does not seem odd at all, because this is NOT a magic trick. This IS a demonstration of how the designs in crop circles may affect us at very deep levels - levels of which we may not even be consciously aware.
However, by dealing the designs faces up we do know that the conscious mind will at least play a PART in the demonstration.
Obvious to all in the end - some other part of the mind must have had a hand in this as well. My mother says that she would sit me at the piano when I was four years old or so, and I would try to plunk out little tunes. When I was six, I received a magic trick for a birthday present, and the bug bit and held. So for 6 7 of my time on planet earth, music and magic have been an important part of my life.
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And now my picks for what constituted the goofy parts of this book. There are probably people who would find any book that concerned itself with the themes presented here goofy. I happen to be a fan Eugene's previous books that deal with some of these same subjects. So, for me, there were only two sort of goofy parts. The first was the fact that Eugene's overly long discussion of the origins of magic includes a blessedly short section on Deception in the Animal World. The second was that I found Robert's three gospel magic tricks to be a bit weak.
My only other real complaint was that there is no actual dialogue or discussion between Eugene and Robert. While this does not Powles, who later became Style, wrote a rave review about the seminar. I wanted to see what the big hoop-la was, so I e-mailed him. We hooked up and we went out to a party, and after that we went to some bar, and Chris Powles' whole spiel was he'd do these magic tricks.
And I wasn't very impressed, this guy wasn't very good, um, later on of course he became great, but he was the one who introduced me to Mystery. Such that the women have extremely high value. They are all beautiful and they know it This is a crowd Mystery would have excelled in with his magic tricks and peacocking. See what you miss out on when you shuck tha thunder Mystery. The performer who has not incorporated a little psychic reading to sell or enhance an effect has missed a very powerful tool.
Tactfully and artfully done, a brief explanation of your understanding of the person enables you to make the prediction of an outcome. For example, in equivoque, it can make the difference between a clever magic trick or puzzle and a true miracle. It is one of the greatest forms of misdirection available. Parapsychology, which is in at this time, is extremely well-suited as subject matter for a story line. Paranormal effects are, as a group, magic tricks, because most of the things magicians do fall into the category of psi-effects clairvoyance, mind reading , second sight, predictions, psychometry , productions materializations , vanishes dematerializations , telekinesis, and alteration of time.
Some mentalists refuse to use even a deck of standard playing cards in their acts, believing what they're doing will be perceived as magic tricks. Those who buy that notion will consider me significantly more heretical when I say I use jumbo cards constantly in my work I've used them since I developed my first stand-up mental show in I've never had a problem with my audiences thinking I do mere card tricks they don't. Mac I have always been leery of videotaped instruction as a way to learn magic tricks.
In general, I don't think that it provides the ease of use or the freedom of interpretation that a text-based format does. The only area in which I think that video teaching surpasses book learnin' is in seeing a routine in action before a live audience. This might be looked at as a disadvantage as well. For people looking for a quick fix, just a trick or two to show their friends, video provides everything laid out for them - method, presentation, patter, etc. I don't think this is necessarily a good thing. The temptation is too great for some people to stop thinking.
It is conceivable that even an unadorned secret move the top change for example is better learned from a book. By that I mean that maybe even sleights are better if adapted to your hands and mannerisms. For me, the danger in voicing my belief that videos are a bad way to learn magic is that it might lead you to believe that I'm just Stand by your principles in a nice manner, the producer will respect that.
The refined concept of the strike second then for those who are unfamiliar with it, involves, yes, moving the top card in a sort of pivot action, but doing so to such a minute extent and covered sufficiently by larger motion that it appears as though the top card has not moved at all. The space created between the top card and the second card is what we call the brief. To give you an idea of what size we are talking about, my brief tends to vary between an eighth of an inch and a sixteenth of an inch, some people can get theirs as low as a thirty-second of an inch, which, while impressive, is in my opinion unnecessary.
If you watch some individuals perform the deal slowly you will find yourself wondering where the second card came from, it's as though it came out of nowhere. I remember offering such a performance to my grandmother, first performing a magic trick that used the deal and then performing the deal before her eyes, first with a face down card and then with the card face up, I have already clarified the fact that this book is about cold reading , and not magic tricks. Let me stress this point one more time, since I have often come across confusion on the issue. This is just one example of the startling and ingenious prediction routines featured by many of today's magicians and mind readers.
I have even performed a few of them myself over the years. The envelope was signed on air by the show's presenters, and then kept somewhere safe by the producer. Two days later, when I appeared on the show, presenter Richard Madeley first of all confirmed that the envelope had been locked away, and that I had not been allowed anywhere near it.
He himself then opened the envelope live on air, without me even so much as touching it. It contained an exact prediction of that morning's newspaper Mac This page, comb-bound, 2 x 11 booklet gives you practical tips on designing a kid show, basic advice on how to sell that show complete with four pages of sample promo material , four actual routines, suggestions for further reading, and a list of other magic tricks suitable for a kid-show audience.
As a person who is actually interested in and likes performing for children, I found this little booklet to be a good value. It doesn't really go into detail about any of the subjects touched on, but it does address a number of topics of concern to the beginning children's party entertainer.