In Wired. Varnelis, Kazys. In Architecture Magazine, November. Revised edition available at Varnelis. Internet y los blogs, afirma, son mass media Acciones como los LiveCD, que posibilitan la. Graffiti Research Lab, Laser Tag. Un ejemplo de lo anterior se observa en la obra Puentes Sonoros-Catenarias Digita-. Laposky en Sims y otros artistas Antoni Muntadas, The File Room.
Artefact Festival Stuk Kunstencentrum Leuven, Precisamente estas nuevas realidades. Por otra parte, F. Ejemplos de ello son los filmes de vanguardia realizados a principios del siglo XX. Esta Robert Smithson, Spiral Jetty, Utah. Foto: joevare. De igual forma, Doug Buis crea aparatos interactivos, interfaces y aplicaciones donde reflexiona sobre el consumo verde y los jardines personales portables. Abre con ello diversas posibilidades. Graffiti Research Lab, Interactive Architecture. Tomada de Flickr bajo licencia: Creative Commons Attribution 2. Santiago Ortiz spectrumatlas.
Santiago Ortiz www. Klaus Fruchtnis www. Mauricio Arango www. Nelson Vergara www. Theo Jansen, Strandbeest. Foto: megapiksel. Clemecia Echeverri www. Elizabeth Granados y Mario Humberto Valencia tallerarduino. Juan Reyes ccrma. Cynthia Lawson Jaramillo www. El performance, que involucra al artista en acciones en tiempo real con la audiencia, en busca de una simbiosis entre el creador, imagen, sonido, cuerpo humano,. Claudia Robles icemserv. Carmen Gil.
Juan Devis www. Juan Carlos Ospina G.
spanish-translator/avijihybihyl.ga~ at master · marcelpuyat/spanish-translator · GitHub
Fernando Pertuz Villa www. Alejandro Duque victims. Clemencia Echeverry www. Rafael Puyana www. Marcela Restrepo www. Alejandro Duque y Lorenz Schorl soup. Un panorama completo de los artistas y las obras puede verse en el sitio web: www. Argan, Gulio Carlo. Benjamin, Walter. Bonet, Eugeni. Eduardo Kac, el creador de seres imposibles. Manizales: Editorial Universidad de Caldas. Carrillo Santana, J. Universidad de Barcelona. In Journal of. Industrial Ecology vol. Yale University. Fiedler, Konrad. Escritos sobre arte.
Madrid: Visor. Universidad Iberoamericana. Kluszczynski, Ryszard. In Leonardo vol. Massachusetts Institute of Technology. Kuspit, Donald. Le Grice, Malcom. Abstract Film and Beyond. Maeda, John. Las leyes de la simplicidad. Madrid: Editorial Gedisa. McLuhan, Marshall. Understanding Media. New York: Mentor. Mitchell, W. Madrid: Ediciones Akal. Popper, Frank. Riegl, Alois. Problemas de estilo. Barcelona: GG Arte. Russo, Eduardo. Sims, Karl. In Computer Graphics vol. Sitney, Adams P.. In Film Culture Reader. New York: Praeger.
Arte digital y nuevos medios. Wilson, Stephen. Informations Arts. Intersections of Art, Science and Technology. Cambridge, Ma. Youngblood, Gene. Expanded Cinema. Zielinski, Siegfried. Sitios de Internet 28Days. Cynthia Lawson Jaramillo: www. Santiago Ortiz: spectrumatlas. Santiago Ortiz: www. Juan Devis: www. Nelson Vergara: www. Claudia Robles: icemserv. La Encicloimpresora. Marcela Restrepo: www. Mauricio Arango: www. Rafael Puyana: www. Sidney Fade. Klaus Fruchtnis: www. Alejandro Duque y Lorenz Schorl: soup.
Fernando Pertuz Villa: www. Clemencia Echeverry: www. Alejandro Duque: victims. Jean-Luc Nancy , Benjamin , Es en la actividad de los bloggers de todo tipo. La imagen, en suma, como hipertexto. IV Estos cambios han corrido parejos con el desembarco abrumador del capital en la. Para Debord, comenta Andre Jappe, la sociedad capitalista se ha convertido en enteramente espectacular porque ha terminado por separar al productor de su producto hasta tal punto que ya le es imposible reconocerlo como suyo. Jappe , Foucault O dicho de otro modo: el productor se convierte en ciudadano. Madrid: Akal.
Ankersmit, Frank. Santiago de Chile: Editorial Palinodia. Madrid: Taurus. El autor como productor. Boltanski, Luc y Eve Chiapello. Bourdieu, Pierre. Criterios y bases sociales del juicio. El amor al arte. Bourriaud, Nicolas. Buenos Aires: Adriana Hidalgo. La era postmedia. Salamanca: Centro de Arte de Salamanca. Castells, Manuel. La sociedad en red. Madrid: Alianza Editorial. Chomsky, Noam. Entrevista de Amy Goodman. La Habana: Cubadebate. Debord, Guy. Valencia: Pre-Textos.
Mil mesetas. Capitalismo y esquizofrenia. Foucault, Michel. Naissance de la biopolitique. Vigilar y castigar. Gehlen, Arnold. Barcelona: Ediciones Historia y consciencia de clase. Husserl, Edmund. Madrid: Revista de Occidente. Jappe, Anselm. Ensayos sobre el. Universidad Nacional de Colombia. Madrid: Universidad Europea de Madrid. Kaiser A. Romanticism, Aesthetics and Nationalism.
Cambridge: Cambridge University Press. Lessing, Lawrence. Marx, Karl. El capital. Siglo XXI Editores. Nancy, Jean-Luc. Las musas. Buenos Aires: Amorrortu Editores. Tarabukin, Nikolai. Nakov ed. Barcelona: Gustavo Gili. Madrid: La Catarata. Conformamos grupos a veces tan fuertes como bandas delincuentes. Demarcamos un mapa, reclamamos territorios que aunque no sean reconocidos existen.
Parcialmente despoblados, desplazados. Aun hoy, se mantienen cuando navegamos sin usar nuestra propia bandera. Avital Ronell. Foto: Alejandro Duque. Todos servicios que buscan capitalizarse a partir de bases de datos recuperadas por sus usuarios. Un trabajo sin pago que genera millones para muy pocos. Creemos inocentemente que las herramientas que nos ofrecen a cambio de nada son un servicio transparente.
Cero privacidad, cero intimidad. China o el Reino Unido. Participan del canibalismo de la base de datos. Es precisamente este hecho, el de no Los colombianos vivimos un particular caso de ostracismo. Es una praxis de vida que traza comunidades, no precisamente las que citan Negri, Hardt, Klein, Moore, etc.
No se trata de un problema de orgullo local o nacionalista. Radio Arte? Queda entonces pensar en otras posible acciones. Las alternativas tal vez no sean lo suficientemente visibles y, por supuesto, no se trata solo de eso. Peores casos son los que evidencian una clase de presos culturales, aquellos a quienes una imagen de marca les hace creer que son parte de un estilo comercial de vida. Menciono dos proyectos que en el pasado existieron y que sirven en alguna medida para esconder la identidad y no dejar muchos trazos digitales OS e Incognito.
Algunos Live CD incluyen una herramienta que permite instalarlos en el disco duro. Sea un hac-.
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En el caso de las anteriores. Todas estrategias basadas en modelos de intercambio de saberes y servicios donde no predomina el trueque sobre los impuestos, las declaraciones o los tesoreros, ya que generalmente no hay dinero de por medio. A la vez se espera que el sector privado invierta entre tres y cuatro veces la cifra del gobierno.
Molano Una imprenta o una laptop, da lo mismo para el caso. Cosa que de lejos es bien llevada a cabo por las comunidades del software y las licencias libres. Al contrario,. Imagen tomada de un video en YouTube. Para conquistar territorios, para apropiarse de zonas, conformando un ethos. Duque, Alejandro. CNET News. Molano, Diego. Negroponte, Nicholas. In TED. Technology, Entertainment, Design. Ronell, Avital. Pure War. Sitios de Internet Alejandro Araque: araquemendozaalejandro. OS: sourceforge. Suicide Machine: suicidemachine. A todos los que escriben en la lista de correos [k.
A Knowbotic Research, Tiqqun, los hackers de dyne y lorea. A Dani del Patio Maravillas. The Radicant, como punto de referencia. El texto es provisional y exploratorio en su alcance, y como tal puede ser posteriormente revisado o ampliado, de una forma u otra.
Bourriaud dicho elemento hasta ahora se ha presentado con mayor perspicacia y efectividad de forma. Tal vez, es en este reconoci-. La Casa Encendida, Madrid. Dicho de otro modo, el con-. Habres Gallery, Viena. Y esto que deja bastante mal parada a mi vieja Olivetti. Por aquel. El libro del fin del mundo se inspiraba en la idea de una enciclopedia que, lejos de dar cuenta de un conjunto cerrado y definitivo de saberes, se presentaba inacabada y abierta. Pero en el , nuevas herramientas por ejemplo, el Fotolog, un sitio de la web 2. Un grupo de.
Se trata de una serie de poemas interactivos que remiten a un universo barroco de espirales, pliegues y laberintos del lenguaje. Hoy los sitios de Internet, los blogs, los mensajes de texto, los mails,. La electricidad como el aire, la tierra, el fuego y el agua. El artista de los medios juega con la electricidad, la manipula, transforma y moldea con total libertad, y lo.
En este conpresente y muchas veces no se percibe. Esta se introdujo veloz y exponencialmente durante. Ayer las vanguardias arrojaban manifiestos frente al derrumbamiento de los modelos sociales. Eduardo Imasaka, Microwavore. En la mues-. Eduardo Imasaka, Autonomic Performance. Imagen promocional de Microwavore, estudio de Imasaka, Buenos Aires, Hamilton La enciclopedia ha fragmentado los saberes y conocimientos almacenados, catalogados, especializados. Hamilton Mestizo, Algas Verdes 1.
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This is a famous beach possesses gained importance because of its apparent and transparent seas. Listed here on a fairly sunny working day you can even see the sea bed up to a depth of Something like 20 feet. Tourists also enjoy the enchanting natural balance and the blending of the marine and sand.
Tourists can engage in the graceful boating in quiet and cool river waters this increase the beauty of the beach. There are 2 houseboats available at Tarkarli. The names of these two dwelling boats are Hiranyakeshi, which is a custom houseboat and the second one is Karli a standard houseboat. They are there for that service of discerning tourist. These boats are absolutely equipped with all luxurious services. They are the luxury boats, which have the Hi tech equipment.
At Tarkali, fascilities of snorkeling along with scuba diving are also available for journey sports lovers. One can hold the first and finest ever example of marine life, because there are snorkeling guides who ensures the protection and also encourage for Peuterey Prezzi the ideal experience of the marine living. All types of transportation facilities are available to reach Tarkarli Seaside.
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One can reach their conveniently by air as it is near to Mumbai. From Malvan, you can also go to Tarkarli by way of Rickshaws. Important place which is perfectly located at the nearby of Tarkarli beach is usually Sindhudurg Fort, it is one of the famed and important sea citadel.
It was built in the Seventeenth century and it is just Eight kms from this beach. When cosas van mal en nuestro sistema de salud rara vez, o nunca, es rendir cuentas a nadie, excepto tal vez si son regulated. For tech tips, instructing recommendations, news and view, choose Bright Hub regarding valuable, relevant expert driven data. Located in Dock Orange, Networking Magic delivers licensed maintenance and repair service regarding office and home computers, office systems as well as wireless networks all over the Daytona Seaside area.
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Ik weet gebruik het om huur of mijn mobiele telefoon te betalen, en ik niet een auto. U moet uw lezers overwegen in alles wat u schrijft. Als een examinator fraude en accountant uit een lijn van recordkeepers accountants, beoordelaars, bankiers, ministers en dergelijke, mijn wiki bijdragen zijn feitelijke, in plaats van meningen. Mijn man was uit townI had veel tijd op mijn hands. Voir en ligne : heel repair.
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Almost everybody has another formula when it comes to rates of return and cash flow analysis. While it is imperative that shareholders have a good way to analyze financial commitment properties, there is no right or wrong respond to this equation. I believe the idea boils down to experience, location, and private preference when deciding just what line items and logic to use when creating your cope analysis. Most models add the staple expenses like theory and interest assuming loans is involved , taxes along with insurance.
Other common expenses that may or may not be inside your model include home owners association expenses if this applies and property control assuming you are not self managing. Additionally, most investors create in an expense allocation pertaining to vacancy and maintenance depending on their experience, the age of your home, the average for the area, and so forth.
This can include new paint, new flooring, cleaning, minimal handyman, etc. Due diligence can be sets from inspection reports and assessments to travel expenses associated with making the buying decision. Considering this has effects on your upfront cost basis, it has a direct impact on your rates of return.
If you pay too much originally, there is a very good chance you might lose money in the end. Your depart strategy will have an effect on several things. It will determine the amount of money you need, and most likely the type of capital you get. Buy, rehab and then sell Buy New Balance v4 on short term. Best rehabbers in my area are now buying property with two exit strategies in mind. If you exactly how, they will tell you that they have always a "plan B" or a "back up plan" nowadays.
Experienced investors want alternatives. For instance they will want to know from the comfort of the beginning that this property will cash flow if it ends up being rental. Deals that might be beneficial to an investor to rehab then sell to a retail buyer can be too expensive to cash flow for a rental. I have had investors transfer what was a great rehab chance that very reason during the past year or so. The type of financing vary for different exit strategies.
If your intent is for the property to be a rental right from the beginning, the actual investor would secure extended financing. If the investor is actually a rehabber and is using a short term and also construction type of loan, this could offer a problem if he is has got to hold the property long term. However be forced to refinance the property. Home buying of buying a property, rehabbing it as well as being absolutely certain you can sell this quickly have been over for a little bit now. In the event the tenants are bad or you come to a decision during the tenancy that you do not want to replenish the lease, always include the words, to owner published approval.
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Lehnert, G. Watson, L. Having a significant place in terms of social sciences, a great many types of travel books have been written and read from the time when humanity started to discover the world onwards. Travellers and travels books are like the secret witnesses of history. A lot of unearthed cases are learnt thanks to travel books.
Many social, cultural, economic features, which we cannot see in official texts are transferred from one generation to another thanks to travel books. Despite being subjective from time to time, it is one of the most significant carriers of the ages when culture, knowledge and technological facilities are limited. The East has always been a world of which mystery has been investigated in every age for the West. Learning about the East for some reasons has been an important purpose for the West Sahin , First of all, the interest of the continental states in Turkish lands has never been lost, possibly because of the religious differences and the social and cultural differences caused by them.
While European states and their institutions pay great attention to any piece of information regarding this geography, the travellers turning back to their countries with the invaluable knowledge have always had both material and spiritual support. Besides that, the statesmen, clergymen and soldiers visiting the region on duty in the embassies or various other institutions were the ones immortalizing their Turkish impressions Cetin , 1.
The most significant feature in the work of Burnaby is that he narrated the political events in this period in line with his travels. Another one is that he recorded the people he met in their ethnic names: Turkish, Armenian, Kurdish, Circassian, Greek etc. Besides all these things, he narrated the details regarding daily life of Anatolian people varying from religion to culture, from music to superstitions, from clothing to eating culture in the travel book.
In his travel book, Frederic Gustavus Burnaby pointed out that what was told in Europe about Turks was not true. This research is based on text-based examination method. Text-based examination method is the method of analysis, criticizing, making it understandable from itself and evaluation method starting from the work to be analysed Best , FINDINGS Due to the cosmopolitan structure of the Ottoman State, a great many nations lived within the state and it enabled to protect various cultures living in the same structure thanks to the sense of toleration that was adopted in order to obtain the peace.
The Armenian, Greek, Jewish and Turkish communities lived together with their images inherited from their past, accepting they separated from each other with their different characters as well their different appearances Ilya and Uysal, , 9. Woman Clothing Burnaby mostly depicted the figures of ferace, chador and veil for woman clothing. The depictions of ferace, veil and chador were given in many places in the travel book. It is a kind of apparel worn by both men and women with changes throughout the years starting from 15th century up to the collapse of the Ottoman State Islam Ansiklopedisi , It has different colours.
Burnaby mentioned about feraces having different types. While defining Moslem woman, Burnaby mentioned about the dark blue while he described Armenian woman in yellow ferace. They were wearing loose feraces made of yellow silk. Greeting me and my host with a great respect, they sat on the divan far at the corner of the room Burnaby , Burnaby , Visiting Anatolia in , Burnaby coincides with this period of passage. Chador is the name of one of the apparels worn by Turkish woman while going out in an age when she has to cover herself. These parts are as follows: 1.
Veil covering the face, 2. The cloak covering the head and upper part of the body and 3. The skirt covering the lower part of the body down to feet. Burnaby talks about Turkish woman wearing long white chador. Vankowitch through their veils Burnaby , While a great many traveller men narrate veil in their works as a symbol of mystery, exoticism and inaccessibility, Burnaby just defines it without making any comment on veil in his travel book.
They were not so attractive and deprived of striking expressions. One of the most important components of cultural interaction is of course clothes. As well as they are determined by religious rules, such factors as geographical conditions, traditions and fashion of the time have an effect on clothes. In this way, clothing is one of the most significant indicators of cultural interaction. In a study by Sahin, Lennep, an American missionary, compared Turkish and Armenian clothes by informing about the clothes people wore in Turkey.
As is known, the difference between Muslim and Non-Muslim people in terms of clothing was apparent before Tanzimat reform area in the Ottoman State. These differences were reflected by dresses, head wearing, shoes and the colours of clothes. However, this difference changed after Tanzimat and a style having almost no difference with similarities in clothing appeared. In the study by Sahin, Lennep pointed out by giving similar information that the earlier rules determined every cloth, their colour and style but that it started to change in the following periods Sahin , Such apparel as chador, veil and ferace had been worn for many centuries from the introduction of Islam onwards.
It was decorated with golden scales. Her arms, legs and body were embraced by a red jacket and loose white trousers and she was wearing a kind of white slippers Burnaby , She was wearing a blue cardigan; there was a purple vest with golden embroidery under it; she was wearing a pair of loose yellow trousers. Her heavy golden earrings were hanging her earlobes down and they were almost touching on her shoulders. In order to beautify herself and honour the meeting, she dyed her teeth and nails in red colour. She combined her eyebrows with a dark pencil line. She was wearing golden scales in her ringlet hair.
She had heavy brass rings around her wrists. While walking around the room, in other words, while swinging around, these metal rings were jingling Burnaby , While describing a zaptiyeh gendarme with a modern appearance, Burnaby expressed that the white turban rolled around his fez had a contrast with his modern appearance. Fez is a red coloured head wear invented in the city of Fas in the western part of Northern Africa Kocu , Fez was a part of man wear with a high symbolic power in line with the reforms at clothes. Arranged as a part of official clothes for the soldiers and for the civil servants on year later by Sultan Mahmud II, Fez became the symbol of reforms.
With its plainness and attractive redness, it became a suitable accessory of the dark coloured jacket. In a very short time, it was spread among large social groups and started to be perceived as the symbol of Ottoman traditionalism. Brought from Northern Africa, Fes stayed as an old, traditional and national headwear Ucar , Think of a tall, dark skinned Circassian with large sharp eyes, in contrast with a turban tightly rolled around his fez, with a neatly shaved bear. He was wearing a green jacket with a red lining, and a blue shirt easily seen under his jacket; his green trousers and red leather boots were competing his clothes.
He was carrying a sword and a pistol on him Burnaby , They were wearing tight coats made of lamb leather with a fur inside, tied on the waist with a narrow leather belt, decorated with buttons; they were also wearing loose trousers of which legs were put in their long boots and small astrakhan headwear on their heads. Men were carrying small daggers with nice silver embroidery on their belts Burnaby , Circassian style clothes might have attracted Burnaby so much, therefore he frequently mentioned about Circassian clothes.
He offered his service for the task in question. He was wearing a Circassian style costume. On the chest of the short brown wool jacket were cross-placed empty cartridges. He had a red fez rolled with a green turban. He was wearing a pair of trousers in light blue colour which was attached to his waist with a dark blue belt and a pair of boots was completing the part between his ankle and knees Burnaby , He was wearing Circassian costumes with a coat made of lamb skin tied tightly on the waist with a buckle, embroidered trousers and long boots: his suntanned face details were covered with a black astrakhan kalpak.
He was a tall, kind person and he was a dear person around the region of Tokat Burnaby , Kalpak is defined as a headwear made of leather or broadcloth without turban around it. It is clear from the expressions of Brunaby regarding fez and kalpak that he did not regard the headwear the people wore as so modern. However, he had a long conic astrakhan kalpak on his head, this headwear that looked like a candle stick cone defaced the European style look Burnaby , It is a kind of clothe made of any kind and colour of fabric stretching down the knees Kocu , It was clear that jubbah like clothes were very popular among Yozgat people.
The visitors stayed in a line according to their social status and then greeted me Burnaby , They were surrounded by their relatives with various types of clothes one could imagine; the father was hugging their sons, brothers were kissing each other, sergeants and corporals trying in vain to order their soldiers Burnaby , Up to the time when the costumes of officers and privates changed in the regulations that was released and put into force in , fez was used as an official headwear Aysal , With the new arrangements, wearing fez was made compulsory for all state officers Koca , The upper part of the body was covered with a marvellous light blue cloak, the legs of the trousers were put in long boots, a pair red, loose trousers smocked on the knee.
A hooked scimitar was hanged on the belt on his waist. The red fez on the head of the captain and our guide showed their loyalty to the Sultan Burnaby , Frederic Gustavus Burnaby, a British officer, had an opportunity to examine whether Turks were the same as narrated in Europe in his travel comprising almost the whole Anatolia up to the city of Van. In his travel book, Frederic Gustavus Burnaby narrated about the clothing style of Anatolian people. It is clear that Burnaby comments on the woman, man and military costumes in his travel book.
As a result of the study, it was found that Frederic Gustavus Burnaby mostly mentions about ferace, veil and chador among woman clothing. Burnaby made depictions over woman wear rather than his personal views. However, he expressed that ferace was not a comfortable apparel. In addition, he put an emphasis on the similarity between the clothes of Armenian and Turkish women.
In his travel book Frederic Gustavus Burnaby, it was observed that he frequently made a comparison between the man wear of Anatolian people and that of European while narrating it. He stressed that Turkish men had a European outlook but kalpak and the turban rolled around fez defaced the European outlook. Burnaby pointed out while describing military costumes that the uniforms were so clean. In an example, he admired the costume of a captain as a military uniform.
Aysal, N. Best, O. Burnaby, F. Cetin, Z. Ilya, D. Uysal, M. Ve Kocu, R. Sevin, N. Sahin, G. Ucar, Z. Men and the clothing. The history of our team goes back to , when the idea of broadening the knowledge on the dynamics, structures, and mechanisms accompanying daily dress appeared as well as a way to implement it. There are numerous works on the fashion; however, there is little research on the daily dress and dressing up. On the one hand, it could result from the triviality of dress and dressing up. On the other hand, it could be related to the lack of proper methodology allowing the investigation of this area of reality.
It is not also an easy issue to investigate. The data should be gathered from different sources, various methods of analysis should be applied and advanced techniques of gathering, storing, and compiling the data should be used. Furthermore, skillful and creative combination of various data is required in order to root the hypotheses deeper in facts than they have been before.
After four years of work, 67 Men and the clothing. Wroclaw Fashion Project the project, which is supposed to be multi-phased, is still in its first phase. Our aims require a long-term data gathering. The next step is their selection. We pick and join in collections the photos, in which there are full frontal figures of adults and all details of the clothing are clearly visible. Then, the attributes of clothing are transformed into the code with the help of our coding scheme. As a result, we receive standardized data, which is saved in our base. We take pictures of people in spring, autumn, and summer.
In the Polish climate, the long winter clothing covers the rest of clothes. However, we do realize the variability of winter clothing and, hence, we have started working on the coding scheme therefor. Thus, the activity of the team focuses on specifying the research problem, gathering and compiling the data, as well as creating analytic tools, refining them, and on recognizing the methods of analysis of significant databases.
All conceptualizing and methodological actions remain in close correspondence with the empirical material. This means that our tools have evolved and are still subject to insignificant changes; as the new data appears, we refine the ways of gathering and analysing the data. Also, because multiple and various elements of analytic work intermingle and the work is not sequential, we have already at our disposal a significant data base and we have already made some preliminary assumptions. Therefore, the question that should be answered is why the clothing and not the fashion?
Fashion is an important social and research category. Owing to fashion, the dress has been noticed, as well as its social functions, such as self-expression, manifestation of social group membership, wealth, or prestige. It made the act of presenting the dress to others a social event. Along with the democratization of societies and increase of wealth, its economic dimension gained value as well.
Hence, it is a significant social and market mechanism. However, from our point of view, it has a restricted usability. Not every act of dressing up and showing dress to the others is an act of fashion. If we widen the category of fashion so that it would comprise everything intriguing in clothing, it will become even more fluid and unclear. Yet, what we wear in public places does matter. Normal dress allows for the interactions; however, it is not a significant stimulus and it does not expose the wearer. Non-sense dress creates uneasiness and inclines us to keep our distant towards the person wearing it.
It is only ambiguous dress, unusual and special combination of different elements that results in interest and prompts opinions Stone The second question that should be answered is how we define clothes in our research. We understand dress as parts of clothing presented to the participants of street encounters and episodes. It is also a material record of practical knowledge of the wearer on buying, using, projecting given sets and reviews received from their interaction partners etc.
Thus, we treat the clothes visible on the photographs as a record of human activity and, at the same time, as a form and source of naturally occurring data. The coding scheme is based on the general coding scheme of women and men and it reduces the abundance of patterns and cuts to the types reflecting basic differences and the most significant features.
It assumed a form of the table comprising categories and their variables along with alphabet and numeric codes, which allow the transformation of our observations into the data that is proper for statistical analysis. The methods applied in the analysis are mostly based on presentation of the gathered data on the graphs, in which vertexes mean either persons or categories of clothing a point represents a variable.
Specific projections and their definitions shall be given during the presentation of the produced results. It is thought that men treat those activities as unmanly. At the same time, they are a part of a textile culture and they must get dressed. We are convinced that clothes serve the purpose of highlighting socially significant differences gender, age, wealth, group membership and self-expression self-identity.
This opinion is confirmed by daily observations. Whether men like it or not, both convictions and assessment apply to everyone. Their clothing is just another text. Sometimes the text is so obvious that observers do not even register the fact of reviewing it. On the other hand, the male clothing does change and it is confirmed by the so-called street. For instance, less than a decade ago, trousers were wider.
Now, jeans and suit trousers have narrower legs and lower waists, up to close-fitting. When the new cuts appeared, one could hear both young and older men that this cannot be worn. Two years later, they claimed that it is not so bad. There must have been a change within the period of those two years. As a result, some of men saw themselves in this type of clothing and gave up their resistance.
Hence, the dress performs many functions and juxtaposed dynamics collide therein. So, what do the male dressing habits tell about the men themselves? What and how do they present in the city space of a big city? Do they dress to honour the minimalistic convention and clothes that are above the seasonal trends? What is the relationship in this case between the fashion events and male long-term behaviours? The organization of the male model figure is relatively simple.
The base consists of feet in the shoes, legs in the trousers and torso in the shirt. Hence, we begin our presentation of the data with the graphs that are a projection of a group of clothing. Partition cliques represent clothes worn by persons each person creates a separate clique consisting of clothes he or she is wearing on the photograph. The model sets for men were generated by taking into consideration most popular elements of clothing and their combinations. Each most common element has been paired with other most common elements. Therefore, if cliques highly overlap with each other in the projection of groups of clothing, they signify typical patterns in the sets of clothing observed within the given population.
The projected network is laid over the points concerning categories of dress. The thicker the edge, the more common the connection between the given elements is. The numbers in the middle of a given triangle, created by points categories of dress and edges, indicate the absolute and relative frequency in the sample. In other words, they provide the information on how many men in the sample worn a given combination of cloths and their percentage within the whole sample. Graph 1. Projected Network on the categories of clothing On the graphs, we can see 5 most common combinations of the basic elements of clothing.
Let us review them, starting with the most widespread in the analysed population. This is a T-shirt, jeans, and trainers. These are the most common dress correlations present in our sample. It confirms the intuitive hypothesis that some of the elements are more likely to be chosen than others. The closer the entropy is to the value one 1 , the more homogenously the attributes are distributed the entropy is exactly 1 in case of uniform distribution.
The closer the value to 0 , the more inhomogeneous the attributes are distributed. In other cases, the values of a variable are unevenly filled with the data and, hence, we gain new information. Diagram 1. Entropy Distribution of Attributes The age categories in the sample have been well saturated. The age of the persons in the analysed population varies. Thus, the model sets are not worn by a particular age category but by a significant number of men of different ages. Colours and patterns of shirts and T-shirts vary considerably more than colours, lengths, widths or patterns of trousers.
The dominating model of trousers is long, not too wide and not too slim, monochromatic, in dark or very dark colours. Wroclaw Fashion Project Diagram 2. Analysis of the colours of trousers and torso base The gained information can be confirmed in yet another way. We can use bipartite graphs connecting the persons coded within the sample with the clothes they wear.
Therefore, the definition of the projection is as follows: two persons are connected with an edge if they wear the same three elements of dress, i. Hence, we arrive at a certain structure of connections between persons. The colour of the edge signifies different three-element sets. Such a projection allows us to observe not only how different elements of clothing are composed with each other; the size of the clique reflects also the size of the male population in the sample, which combined the elements of clothing in model sets.
In other words, we learn which elements of clothing change and how they change with what they are exchanged. Graph 2. Wroclaw Fashion Project Graph 3. The first set comprises T-shirt, jeans and casual trainers. In the latter, the torso covers are much more differentiated. The second set comprises T-shirt, jeans and casual shoes. In this set, we observe also differences in trousers. In the fourth set, cotton trousers which fabrics have the same intertexture as the cotton used for making jeans are worn with T-shirts and casual trainers.
The said set is basic in a sense that this combination is the most repetitive one. Sometimes, T-shirt is replaced with a shirt, which is rather worn on trousers. Much more often it is complemented with a shirt worn on a Tshirt, sweatshirt, or sweater. Hence, are they coincidences or purposefully combined elements of clothes joined by the men who wear them? If we treat all of the clothes worn by the persons from our sample as a huge wardrobe with T-shirts, shirts, different kinds of trousers and shoes, we can calculate the probability of a random choice of one of 78 Fashion On The Move: Rethinking Design.
We can also assess how often such a set has been observed in the sample. When the probability calculated for the coded cases is higher than hypothetical, the given elements of clothing are combined more often than the probability of combining those elements indicates. Significant differences exceeding the random effect between the random and the observed values indicate not accidental co-existence of the elements of a given set of clothes. The measure of differences between the zero hypothesis the value resulting from the frequency of a given element of clothing and the observed frequency in the sample is the p-value.
The more the observed value differs from the random value, the more probable the planned combination of those elements is. This corresponds to low p-values. These could be interpreted as stylizations. With the p-value and the relative frequency of attribute combinations at hand we are now in the position to assign two characteristic indices, respectively measures to each individual as follows. The distribution of the value of this measure should be interpreted in the following way: persons who have low values pay attention to their clothing, the elements of their clothing have been connected in an informed manner and, thus, we could name it a stylization.
The higher the value, the more random the combination of the elements of clothing is. The average individual relative frequency is hence a measure how popular or common a person dresses. A person with low values in both characteristics could therefore truly called stylish and individualistic. In diagram 4 we show in a scatter plot the distribution of those values for Wroclaw and Poznan. Diagram 3. Histogram of Average Individual p-value 79 Diagram 4.
So far, we have not found such or similar methodological solution, which would offer such a large database on daily dress. The first results of relatively simple statistical calculations already provide us with interesting results. The dominating feature of the discussed sets is their casualness, not in the sense of a daily dress however, this applies as well but in a sense of informality.
This style does not depend on the seasons. It could be described as a sort of minimalism as it shares a couple of features with such a trend in fashion. However, it displays features un- Men and the clothing. What are the shared features? They both do not follow the newest trends; the clothing acts as timeless classics. They serve for years and each of the newly bought elements matches the ones we already have. It does not also matter how many items of clothing we own. Whether we have only few or a lot, they are mixed in only slightly different from each other and pretty simple sets.
Such stylizations can be created on the basis of only few items of clothing. They could be based on a few trousers that are similar in shape, a few pairs of shoes in similar style and adapted to the seasons, and on a slightly higher amount of shirts and T-shirts. Those sets are not extravagant; they experiment neither with the cuts of trousers or shirts nor with colours. The whole potential of variability is the length and width. Normal is not stable but it changes slowly if we consider seasonal trends as a point of reference.
Therefore, the discussed sets lack ostentation in both form and colours. They are also deprived of ornaments or abundant accessories. Such a style is uncommonly safe because it is neutral; it does not attract attention. It neither attracts nor stops interactions and, for many men, it proves well on the streets as well as in work. However, it is difficult to describe this simplicity in terms of originality.
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It is not an essence of style, luxury, or class. It is the kind of simplicity that is always elegant and requires knowledge. It is unoriginal and one could risk formulating a hypothesis that this style is not a result of a conscious choice. It results from the dressing habits. It is neither the clothing made of quite heavy and stiff fabrics especially trousers , nor the solid footwear worn regardless of the seasons that is the reason for the feeling of comfort; it is the habit.
The simplified shape of the T-shirt is not a restricted means of expression. Therefore, the departures from the minimalisms in fashion are major and they sometimes impose the prints on the T-shirts. Such a basic set has one more characteristic of a practical nature. Its elements do not require time and attention in their preparation laundering, drying, ironing, maintaining. Bright colours and fabrics used in female clothing as well as forms and cuts preferred in female stylizations require skills and knowledge so that they would not lose their quality as they are used.
This does not mean that men preferring this style are unfashionable. It is rather a different meaning of the word fashion, which lacks any remorse over wearing the same clothes over and over again. References: Stone, G. London, Routledge and Kegan Paul. Therefore, dressing and fashion have an important place in the life of the contemporary individual, and demand different efforts from the clothing sector.
Design, which is a prominent factor for the sale of a product, is at the top of the list of such efforts. Design is the occurrence in the consciousness created by a perceived object or event. Design, which is a process of creating a product by fictive and practical labour, may also be defined as the thing that is planned to be created, or the visual image of the thing that is desired to exist or be created in the consciousness Bilgen Thus, the perspective of design in this sense should be the market, and the created product should be aesthetical, functional and unique.
The success of fashion design requires elements like imagination, instinct and talent. Additionally, for a work of clothing to have design qualities, it must reflect a definitive idea that comes from a definitive aim, and create a result that contains a creative value through unique design Tansoy The field of fashion design seeks designers that are able to organize the design process, have high creativity, can find suitable solutions to problems, harbor qualities that are based on scientific research and aesthetics, and can create genuine and contemporary designs.
Thus concepts like fashion, design and designer have become prominent. The designer, who is going to take part in all these acts, can be defined as someone who interprets fashion themes and reflects this interpretation on products they create. The hereditary talent along with creativity that can be learned combines the information and instinct the designer receives from the past with the future, creating a design in the end Kutlu Family is at the top of the immediate surroundings and it is the first factor that affects the individual.
Children are highly affected by genetics, attitudes and behaviors of the family, efforts and tastes of the parents, and roles they take on in social life. Gaining of problem solving and decision making skill and improvement of creativity is a natural result for children who grow up in democratic family environments where they can take part in decisions and have their voices heard.
For the designer who has to provide qualities of essence and shape for their creation in addition to the talent that comes from birth, it is also essential to have a life philosophy, intuitive skills, and skills to add new qualities on existing elements. Fashion design education aims to provide designer candidates with various types of knowledge and skills that will help them create solutions in fashion and clothing. Design education is directly aimed towards talent and creativity. Creativity is assumed to be learnable and teachable. Individuals start developing creativity from birth.